What are you going to do when you see the names of “Pandit Jasraj, Parveen Sultana, Shubha Mudgal, Asha Bhonsle and Kailash Kher” on the cover of an Album?Gonna take it?? Yes I did the same... Last weekend I was at planet M looking for the Album of Kidnap (which was not released that time). When I went to the CD station and found one CD in side that, I pushed play button and the voice I heard was so different and haunting that I have to pick up the cover to check the singer and after that I was lighter by a couple of hundred bucks more. That CD was of 1920, a periodic-romantic-horror by Vikram Bhatt.
After “Raaz” Bhatt gave several flops as Aetbaar, Jurm, Ankahee, Red, Speed, Life Mein Kabhie Kabhiee etc and finally he is back to the formula that gave him his biggest hit and comes up with a romantic supernatural thriller 1920. Being a hit or not, Vikram Bhatt movies have always been good on musical part and so the hopes from this album was also high (at least to me). The music of this album his given by Adnan Sami whereas the lyricist is Sameer, who gave several hit albums together. Here is may take of the album
1.Vaada Tumse Hai Vaada: This was the song that I heard at Planet M and this one forced me to buy this CD. This track has been sung by Pandit Jasraj (who is basically known for his classical base and I think in this album, for the first time he is giving his voice to a movie song) with immense fervor. In this romantic track Adnan used an appealing fusion of traditional and contemporary instruments and sounds that gels well with the mood of the song. The use of female chorus makes this deep composition a treat-to-hear. Sameer’s meaningfully eloquently apt lyrics get cordially rewarded when they get the voice of maestro.
“Meri Palko Mein, Tere Sapno Ka Dar Hai,
Mere Is Dil Mein Teri Chahat Ka Gum Hai
Meri Rag Rag Mein Tu Bas Tera Prem Samaya Hai Samaya Hai
Meri In Saason Mein Ab Teri Sanson Ki Sargam Bajti Hai
Vaada Tumse Hai Vaaada, Hooo Vaada Tumse Hai Vaaada
Janmon Ka Pyar Ka Dard Ka Hooo Saathiya”
Besides the long Alaaps at the concluding part shows the flawless power of classical singing by Pandit Jasraj. But now coming to the shortcoming of the music, in this classical-inspired-fusion-based music arrangements virtuoso’s voice got lost somewhere (especially when he sings in lower baritones) due to the overpowering arrangements. But overall, the fusion of classical singing with modern arrangement is infact inimitable and this track is worth-hearing number if one wants to hear an almost perfect fusion. This song really grows on repeated hearing.
2. Vaada Tumse Hai Vaada: when I heard the lengthy starting Alaaps, I was sure that this must have been crooned by some classical singer and BINGOO! When I read the name on cover I was shocked to see the name of another luminary classical music veteran Begum Parveen Sultana (Who sung "Hame Tumse Pyar Kitna" in movie Kudrat and got Filmfare Best Female Playback Award in 1981 and I am a die-hard fan for her “Bandishes” and stupendous "dherena","dheem ta nana"s). This track sounds completely different from the first track (although uses the same lyrics) due to characteristic pitch of her. The use of modern music arrangements and specially the sprightly electric guitar tune through out the song give great artistic melodic values to the songs. This song is again a treat for all traditional singing lovers which even after fusion remain Classical at the core.
3. Bichua: Next track contains more surprises for you and you will find Shubha Mudgal, classy folk singer, warbling the folkish track “Bichua” which is an item number (with a touch of Qawalli) featuring the so called goddess-of-item-songs Rakhi Sawant. This track is already doing well on music channels. The way Shubha, sung the song it is going to make you feel that no one could have done better job then her. The energy, the passion and the dedication she showed while singing this not-so-easy song is superb and her voice amazingly go well with Rakhi Sawant. The music arrangement of this song is of typical Indian type (use of harmonium, dhol, sarangi and “Dhol Na Dhol Na Mere” through out the song) but there is something missing in this song. Club mix: The club mix of Bichua is going to be a treat for fast music lovers where the disco beat fillers and synth used in the song gives it a pacy impact.
“Jab Dass Jaaye Bichua, Zeher Chadayein Bichua
Bada Tadpaaye Bichua, Bach Ke Tu Rehna Zara”
4. Aisa Jalta Hai Jiya: Well not satisfied with surprises? No problem, next track gives you legendary Asha Bhonsle crooning an attention-grabbing and mesmerizing romantic number, “Aisa Jalta Hai Jiya”. In this song you will find classical Asha giving voice to song of loving and yearning. The music arrangement is of 60’s style giving it a feel of “kahin deep jale” but this one is a bit fast from that legend. Lyrics are simple but apt.
“Bechein Mere Mann Ka Mayura, Lagta Hai Tanhan Jeevan Adhura
Tann Mein Sabhi Hai Birha Ke Jhula, Ab Toh Piya Ke Adhron Ka Pyala”
5. Tujhe main pyaar karun: Next track completely belongs to Kailash Kher where he used his dismal and expressive voice to generate a lingering feeling. Use of soft keyboard notes, poignant violin and sumptuous female Alaaps through out the song gives song the feeling it needs and this one is supposed to be a background song delivering an escalating sense of vanished love. This track is worth listening more than once.
“Dilon Ki Baat Nahin Janthe, Yeh Sab Zuban Waale
Vafa Ka Jurm Samjhte Hai Yeh Sab Jahaan Waale
Agar Yeh Jurm Hai Toh Yeh Jurm Baar Baar Karoon”
6. 1920 theme: At the end of album comes a lonesome instrumental number showing a wonderful piece of work by none other than Adnan Sami who mixed soft and synchronized piano and violin to give this instrumental. A perfect ending of album.
My take: The music of 1920 gratifies the requirements and circumstances of the film. This album has an elegant and unusual classical music feel that may not work for lovers of fast music but it would be a great listening experience to the virtuosos as Pandit Jasraj (who for the first time giving his voice to a movie song) and Parveen Sultana along with Asha, Subha and Kailash kher. "Vaada Hai Tumse Vaada" stands out as the most striking and will fulfill the need of classical singing lover whereas "Bichua" featuring Rakhi will surely draw crowds in theatres because of its coarse appeal. Now coming to the cons of the album, at few instances the music overpowered the vocals, but nonetheless the soundtrack of 1920 is mellifluous. I would easily give 4 stars out of 5 for the originality of the album and perfect singing.